“WV Spring – The Mother Ship” size oil, $400
These paintings are repetitions of “50 stroke” paintings, based on a scene outside Berryville, Va. The initial larger painting and the first two variations were done on site. Subsequent variations have been done in studio, always with the original painting … the mother ship as I like to refer to it … right in view. I think each variation, done at different times, has its own feel and excitement. This has been an interesting progression and one that I’ve begun to utilize on other subjects. Breaking a landscape or still life down into its essence is great fun, a confidence builder, and compositionally insightful.
These paintings are repetitions of “50 stroke” paintings, based on a scene outside Berryville, Va. The initial larger painting and the first two variations were done on site. Subsequent variations have been done in studio, always with the original painting … the mother ship as I like to refer to it … right in view. I think each variation, done at different times, has its own feel and excitement. This has been an interesting progression and one that I’ve begun to utilize on other subjects. Breaking a landscape or still life down into its essence is great fun, a confidence builder, and compositionally insightful.
“WV Spring – The Mother Ship” size oil, $400
These paintings are repetitions of “50 stroke” paintings, based on a scene outside Berryville, Va. The initial larger painting and the first two variations were done on site. Subsequent variations have been done in studio, always with the original painting … the mother ship as I like to refer to it … right in view. I think each variation, done at different times, has its own feel and excitement. This has been an interesting progression and one that I’ve begun to utilize on other subjects. Breaking a landscape or still life down into its essence is great fun, a confidence builder, and compositionally insightful.
These paintings are repetitions of “50 stroke” paintings, based on a scene outside Berryville, Va. The initial larger painting and the first two variations were done on site. Subsequent variations have been done in studio, always with the original painting … the mother ship as I like to refer to it … right in view. I think each variation, done at different times, has its own feel and excitement. This has been an interesting progression and one that I’ve begun to utilize on other subjects. Breaking a landscape or still life down into its essence is great fun, a confidence builder, and compositionally insightful.
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